Contextual Studies: Research Task 4 VISUAL ANALYSIS (Inside and Outside)

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Image result for Roe Ethridge gucci

Roe Ethridge for Gucci’s New Contemporary

Keywords: bold, floral, feminine, flowers, dirt, class, red and close up.

Alessandro Michele has dispensed four chapters in this new collection with a strong creative ability, blurring the lines of gender by casting males in womenswear collections and women in menswear collections, wearing similar looks that could have been designed for either sex. In detail, these clothes are treasures. There is a tiny hand-embroidered romantic floral embellishment and it’s hard not to notice that each ring is made out of different, gold-pleated elements and precious stones.

The compostion of the shot uses a rule of third, the subject is not in the middl eof the fra,e but in the left side making the plant compost more visible to the audience. The model’s whole body is specifically not in the whole frame because I think Roe Ethridge decided to focus on the texture of the flowers and how they relate to the compost which is right next to her head. because he wanted to swap the roles of the two genders, the model is meant to be a gardener which to be honest is not only a mans role as women tend to look after flowers and garden more than men do, however they might be used for labour jobs such as digging and moving plants. The use of the objects shows that the photographer is bringing an elemt of the outside, inside the studio. Fashion is just a matter of differentation. The flower compost is the element made to be stored in soil and that element is being brought into the studio where the model wears a flower suit implicating a real-life living flower.

The author “Walter Benjamin” states from ‘Paris,The Capital of the Nineteenth Century’:

“Fashion stands in opposition to the organic. It couples the living body to the inorganic world.To the living it defends the right of the corpse.The fetishism that succumbs to the sex appeal of the inorganic is its vital nerve”.

 

Image result for Guy Bourdin,Vogue, 1975

Guy Bourdin, Vogue 1975

Keywords: edgy, scary, fashion, realistic, fantasy and framed.

This photograph is composed of two female models marching on the streets feeling really confident and prestige while three mannequins are posed as if they were reaching or staring at them. This reminds me of a  frame being fitted inside a frame because of the window having the models inside this rectangular body. Robert Frank states: “I’m always looking outside trying to look inside, trying to tell something that’s true. But maybe there isn’t any truth and there is only what is out there and that is always different”. In my opinion Frank is trying to say that people on the streets look inside the glass frames to see numerous styles and new clothes and therefore we have a guide on how to look but maybe the answer is not inside but within us, outside. The shop windows seem dull and drained of energy compared to the live, colourful, bright  cheerful light out on the street. I think that the photographer wants us viewers to see that the mannequins are transfering their energy of clothes onto the living bodies of the streets and that embraces the purpose of what they are actually used for, for delivering a sense of style, edge and modern/contemorary fashion.

Contextual Studies: Research Task 3 Exploring definitions

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The Street:

Buildings, homes, roads, architecture, patterns, lines, neighbourhood, people, strangers, friends, shops, money, food, bars, art, graffiti, vandalism, transport, movement, route, direction, life, pollution, crime, smoke, fashion, homelessness, homes, neighbourhood, space, language, sound, watching, windows, sub cultures, diversity, expression, exploring, adventure, texture, youth, schools, territory and expression.

 

Amica March 2016 Ewa Wladymiruk by Takay-9

Photography: Takay. Styled by: Ye Young Kim. Hair: Kenshin Asano. Makeup: Simone Otis. Model: Ewa Wladymiruk.

Keywords: Movement, Fashion, Fabulous, Feminine, Rushed, Glamour and busy.

This walking shot is amazing, I adore the long high heel boots which enhances her character and persona. I admire the monochrome style effect used to perform this shot because it drains the photo out of colour and just leaves her body gesture and the scenery to do all the fascinating eye- catching work.

Bella Hadid is so statuesque in this Harper’s Bazaar editorial by Alexei Hay – just gorgeous!

Bella Hadid Photographed by Alexei Hay for Harper’s Bazaar

 

Keywords: Class, Architecture, Vivid, Powerful, Dominance, Beauty, Makeup and proxemities.

Bella Hadid is one of the most famous and recognisable model in the whole fashion industry. Having a shot like this really brightens up her personality and shows her love to clothes, fashion, streets and architecture. the use of one colour on her outfit fits perfectly with the contrasting dark colours behind and around her. The street is looking up to her because of how the angle is shown; showing dominance and character. I adore the way Bella gazes at the camera, she makes the most natural straight face look fabulous       and classy.

Nylon Spain: Carlos Ferra Wears Fashions with Machismo

Photography: Elio Nogueira

Keywords: traditional, suit, casual, movement, shutter, pose, man, architecture, fashion, street and street style. 

Interesting perspective, angle, movement and body gesture. This shot was taken in Spain by a popular spanish model who occasionally works in studios in London. The photograph is taken on a street passing by an old building which gives texture to the photograph. The shot must have been taken from just above the ground because I can see the low angle was being made. By not having the model looking at the camera it doesn’t create any tension with the viewer but actually creates a calm atmosphere of a young man walking casually across the streets of spain.

Defining “The Street”:

As Marcel Proust states “The streets belong to everybody, I repeated to myself” this quote means that the street is not restricted, they are like roots that holds and connects big cities with villages, towns and houses. let’s take Oxford Street to consideration, that one massive, long street links with many more side roads which contains little shops, big label shops and food places. The street is different during the times of the day, during day time Oxford street is fulfilled with over population, people going work, people going early shopping, people using the public transport and for tourism however during the night-time that specific street turns into young people clubbing, eating and having fun. However it also can be deserted from people, it could be a source of crime or it could simply be filled with bright lights that shines the roads.

A street is important to every single person, that is where protests occur, where homeless people sleep roughly, how people commute to get from A to B, where people communicate and where life happens. The street is authentic, it is real, whatever happens on the street actually happens. Walter Benjamin talks about the urban culture, experience, on  high-speed rush, it is hard to walk across the street and not be run over ideally contrasts with just simply walking over a field. Paul Simul talks about the industrial movement because boring, people actually have to look at each other while being at the bus stop, while being in a tube, while walking on a pavement you have to look at everyone’s faces even though you do not want to.

Street style is very important, people dress a certain way, they display themselves to each other, its like they are on a stage showing off their clothes. Street-style developed enormously throughout the years, there are bloggers, vloggers and hype-beasts around every corner of a street. People in the 70s dressed differently on the streets to what people wear now. For example in the 70s the public wore disco style clothes such as loose trousers, bold colours and shiny shoes whereas today the streets is filled with twice the features the 70s have. Furthermore, I personally realised that during the years of 2010 onwards the vintage and retro style was becoming trendy once again. Rather than seeing people dressed in the newest collections from Gucci, the streets would be filled with unique retro clothing that the youth have never seen before. Stated by Ted Polhemus “Street style has always existed. It is, however, only since the mid-1950s that its significance has been recognized, valued, and emulated”. This quote evidently suggests that street style since the 50s have been spotted by many designers and is used today as a way of showing off who is best on the street. A person who wears all designer clothes will always be spotted by anyone on the street whereas a person who dresses ordinary will never be noticed by any fashionista, vlogger, photographer or blogger because of the boring and ordinary clothes he wears. Street is a lifestyle, you can take a man of the streets but the street life skills wont disappear from a man.

Street style Magazines such as “Fruits” is a monthly Japanese street fashion magazine founded in 1997 by photographer Shoichi Aoki. Fashion magazines often give people advice on styling, diet and what is trendy. Fruits talks mostly about the absurd fashion senses located in Tokyo, Japan and also the numerous subcultures such as punk, rock and goth. Additionally in one of the covers of the Fruits Magazine issue number 3, I noticed a couple holding hands with a destroyed graffiti background behind them. The colours in this shot are extremely vivid and I can see that their ripped up, filthy, damaged, absurd and unusual outfits connect with the horrible background. I can interpret that the photographer wanted the models to relate to their surroundings such as the dodgy graffiti wall.

The most influential photographer that has ever walked the street was Vivian Maier because of her unique style of holding her film camera waist height. She took photos of people on the streets in her own free time. She was a Nanny for about forty years and the streets were like her home, she would love to stroll around crowded areas to make new compositions, self portraits and then moved to colour film photography after moving to Chicago. Her work influenced many street photographers and her technique is still being used till today.

Overall in conclusion the street is taken really seriously in the fashion industry. For instance more and more photographs are being taken from the streets rather than from catwalk. Taken from an article by Hadley Freeman from “The Guardian” it states ” Now anyone can take photos for fashion blogs, not just accredited photographers with access to the Prada show, and anyone can be celebrated as a fashion icon, not just models and celebrities” which explicitly shows the street is where everyone has access to everything, people are not restricted to see what normally they would have to pay for or have incredible contacts for. At a fashion show you will find people such as actors, models or designers who enjoy dressing up, which is why fashion weeks are peak time for street-style photographers. Summing it all up, get out there on a street because a once in a lifetime opportunity might catch you there!

Contextual Studies: Research Task 2 COMPARING

Contexual Studies, Contexual Work - More
  1. Wolfgan Tillmans, Lutz and Alex sitting in the trees, 1992. Keywords: Natural, exposing, wild, fashion, animals, hippie, nudity and environment.
  2. Camile Silvy, River Scene, France, 1858. Keywords: Vintage, history, sepia, mysterious, town, nature, calmness and dull.
  3. Ansel adams, Monolith- The face of half Dome. Yosemite national Park, 1927. Keywords: Texture, snowy, freezing, high, exploring, danger, heights, sharp
  4. Lee Friedlander, From America by car, 2007. Keywords: movement, nature, speed, adventure and limits.
  5. Richard Misrach, Hazardous Waste Containment Site, Dow corporation, 1998. Keywords: misty, waste, hazard, foggy, mystery and swampy.
  6. Joe deal, Untitled view, 1974. Keywords: Ground, dirt, filthy, structure, properties, tettitory and life.
  7. Robert Adams, Colorado Springs, 1968. Keywords: distance, mobile, remote, american dream, desert and gloom.
  8. Mark Power, 26 Different Endings, 2003. Keywords: direction, choices, return, roads, journey and speed.
  9. Martin Munkacsi, American Harpers Bazaar, December, 1993. Keywords: Cheerful, swim, costume, romance, blessed, holy and freedom.
  10. Louise Dahl- Wolfie, Harpes Bazaar, 1941. Keywords: architecture, pattern, wood, materials, tools, texture and fashion.
  11. Norman Parkinson, Anne Gunning in…India & Kashmir, 1956. Keywords: romance, floral, majestic and forgiveness.
  12. Tim Walker, Voue, Spring, 2015. Keywords: Mystical, foggy, dreamy, edgy, nature, texture and modesty.
  13. Mel Bles, Pop, 2014. Keywords: Absurd, fashionable, white, hidden, identity, sports, furry and monotone.
  14. Juergen Teller, Kanye, Juergen and Kim, 2015. Keywords: Plain, exposed, nudity, revealing, body acceptance, self-esteem and dirt.

My Picks:

Image result for Juergen Teller Kanye, Juergen & Kim 2015

Juergen Teller, Kanye, Juergen and Kim, 2015

 

Image result for Tim Walker Vogue Spring 2015
Tim Walker, Vogue, Spring 2015.
 David Bates the author of “The Landscape” illustrates a massive picture and significant detail of photographic theory. Bates quotes “a typical picturesque scene was ‘rustic’: an autumnal landscape with an old farmer or parson and daughter by a cottage, river or old oak tree with a donkey, cows or sheep…” which means that a perfect majestic landscape photograph is consisted of a countryside, rural and labour theme. In both photographs there is no farmers, no cowboys and no cottage however we seem to find marvellous landscapes of mountains, trees, sand, rocks and vivid colours with a touch of a fragile and sensitive creation called human being.

The Juergen Teller’s photograph series called “Kanye, Juergen & Kim” is not very much interesting, we have a sexual icon in the middle of a sand rock in Lingerie which in my opinion could be used as a social media post rather than a fashion photo shoot. However, the nudity presented in Kim Kardashian contrasts with the unrevealing, bright red long jacket. This could portray thoughts and feelings on the models personal beliefs with their bodies. One projects confidence, a theme of sexualising the human body and high self-esteem whereas the Time Walker shot communicates a more reserved and modest personality. Taking in consideration that both photographs were taken in 2015, the Tim Walker shot has a far deeper meaning, effort, style, use of colour and far more beautiful background compared to a simple mono-coloured sand background. The sublime image of Tim makes the scenery really exotic, wild, mysterious because of the mask and entrancing.

The Kim Kardashian shot doesn’t communicate any deep emotions, there is no sense of any gestures, the model looks like she put not much effort into posing but also she does look stunning which communicates to the viewer about her body and her facial features, she is a celebrity and therefore there would be a higher number of people viewing it than Tim Walker.

 

 

 

 

 

Contexual Studies Research Task 1 “Keywords”

Contexual Studies, Contexual Work - More, Research

Contextual Studies

Research task “Keywords”

 

84c2382495b35151c1bfb80cb62002d6--s-fashion-fashion-photo Image result for Aziz + CucherImage result for Inez van Lamsweerde & Vinoodh Matadin, portrait of Justin Bieber for editorial Watch the Throne V Magazine 2012

My Chosen artisits:

Inez van Lamsweerde & Vinoodh Matadin Yohji Yamamoto catalogue 1999

Keywords:
Witchcraft, Absurd, Surreal, dull and spot-light.

Aziz + Cucher Chris
1994

Keywords:
Trapped, portrait, eerie, profile, speechless, hidden identity.

Inez van Lamsweerde & Vinoodh Matadin,
portrait of Justin Bieber for editorial Watch the Throne V. Magazine 2012

Keywords:
Bold, portrait, fashion, young,monochrome, non-identical and historic.

Description:

The incredible photograph taken by Aziz & Cucher in 1994 is a close portrait of a middle-aged white man whose facial features are hidden. This gives an effect to the photograph viewer that there could be a hidden message for this piece of art. By disappearing his facial features it shows the person is trapped inside this face because facial gestures are one thing that people use to express themselves, especially their emotions.The background seems to be simple so that the subject could be the ultimate focal point of the photo. The subject appears completely normal, expect their eyes, mouth and nostrils have been removed leaving only skin. Furthermore, the photograph seems to be shot on a large-scale in colour. I like how the photographer created formal elements such as shape and line as it contrasts against the black backdrop and finally I could add that the subject promotes anonymity for its audience; an identity who we will never find out.

Quote: Edward, Steve 2006, ” What is a photograph”

”The idea that photography represents an unmediated, faithful re-presentation of things has been hanging around the medium for a long time”

In my sense I understand this quote is trying to say that a photograph is an immediate snap of a scenery happening in front of us. The first camera Obscura has been going on for a really long period of time and this supports that photography hasn’t been discovered recently but have been in use for decades.when a photographer is taking a photograph, he or she has to have faith that their shoot will come out successful, reflecting on Edward’s quote a photograph requires faith so you can trust it to become a re-presentation of subjects, scenery, objects or people.